Tag Archives: Goodman

Valley Lane

I’ve been a pretty unreliable documentarian the past few months.  It’s been a busy summer commuting back and forth from the Delaware shore to Alexandria attending to the many decisions that still need to be made as we hit the home stretch on the Sevareid House project.  The summer was capped with a 17 day trip to Scotland but progress on the house marches on.  If you follow me on Facebook, Twitter or Instagram you’ve seen my update pictures on that progress.  I’ll add a few here for those that depend on the blog for news of the project.  But this post is mostly about history going back to the 1940s and 1950s when the house was new and it’s occupants were not just observers but participants in history.

UPDATES:  Click on the pictures to view captions describing each image.

 

 

Valley Lane

One of my new neighbors left a book at the house for me this summer.  It is a 1995 biography of Eric Sevareid entitled The American Journey of Eric Sevareid by Raymond A. Schroth.  A chapter called Valley Lane describes the contrast between now and then – when the house was in a “country setting” as part of the county of Fairfax.  I’m lifting his words because I can’t describe it any better.

The first impression today’s visitor gets as he peers up from the street at the almost fifty year old modern house barely visible through the trees is that whoever lives here wants to be left alone. Old or former neighbors, who talk about what has happened to Alexandria, Virginia’s Seminary Hill in the last half century, say yes, the corner of Pegram Street and Polk Street, which fifty years ago were dirt roads, now seems in some ways as cut off from it’s larger suburban context as it was when Eric and Lois Sevareid drove by in 1946 and saw horses grazing below by the road and a lush meadow spreading out through the valley, reaching up a steep slope to a modernistic house on the top of the ridge.  Here, they decided, was where they wanted to live.

Fifty years ago (sic. now SEVENTY!), before the woods grew up to their present wild domination, the excitement of the place must have been, along with the house’s modern design, the height, the combination of distance and disengagement: the freedom to sit on the veranda and gaze upon the world below.

The author goes on to describe the neighbors as “a handful of families working at the heart of the New Deal and planning for the new nation being shaped out of the World War.”  There are 3 Goodman houses currently in the area — there may have been more.  But I understand that modernist sensibility influenced quite a few of the houses on Valley Lane.  And that continued through the 60s and 70s. That street, Valley Lane, doesn’t exist anymore but a former resident, David Eddy, who grew up in a house on the hill behind the Sevareid house shared a picture of the expansive view that he enjoyed as child from the top of hill.

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View from the top of Seminary Hill Circa 1942 photo:David Eddy

I had the pleasure of meeting David about a year ago when he came back to Alexandria to attend his high school reunion at Episcopal.  He shared a lot of fascinating stories involving the economists in the neighborhood (including his father) and McCarthy’s Red Scare of the late 1940s and 1950s.

The neighbors on and around Valley Lane were an interesting group.  David Eddy’s father was a Harvard economist and he believes the best friend of Emil Despres, the Harvard economist who built the Sevareid House.  David was great in filling in the blanks on the economists and their trouble with the House Committee on UnAmerican Activities.  He knows a lot about it because his dad, George Eddy spent a good part of the latter portion of his life clearing his name.

In the Valley Lane chapter of Schroth’s book, he mentions other residents and their connections to the Sevareid family.

Among their neighbors was a man who talked to the trees, a family who didn’t believe in eating cooked food, an old Englishman who was convinced that the invention of the automobile had put the world on the road to hell, Thurmond Arnold, Supreme Court Justice William O. Douglas, a congressman from Massachusetts, the BBC’s Washington correspondent, and John Kenneth Galbraith; and good Virginia manners presumed that they visited one another in the afternoon and everyone was supposed to have tea and cookies ready.  On the periphery of that elite circle, where people lived in older, larger homes, were the Sevareids.

The road from Washington to Alexandria was paved, and the one from Alexandria to the Hill was gravel.  The bus ran twice a day; so during the war years – with air-raid drills and car-pooling – everyone learned to depend on and care for everyone else.  They rode their car pools to work – Virginia would sit on Galbraith’s boney knees – and argue politics and economics fiercely; and evenings and weekends the neighbors helped each other with household chores and cared for one another’s children.

The Sevareid’s nearest neighbors included the Douglass Caters, who moved in the 1950s; he was the Washington editor of the Reporter magazine.  And the next door neighbors, with  whom the Sevareids shared a driveway, were Philip and Adele Brown, who also lived in a house designed by Goodman.

The book goes on to describe the Sevareid’s (especially Lois’) role in founding the Burgundy Farm School in Alexandria and Lois increasing struggles with bi-polar disorder during their time in the house.  He also talks about the horses that Eric kept on the property – a tradition that was kept up by Bob Syme as reported to me by friends who remember them still being there in the 1960s and 1970s.

I need to study up on the material that David Eddy provided to me about the economists and the Red Scare.  That’s another fascinating chapter in the history of the Sevareid House and Seminary Hill.

 

Walls

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We got our revised wall permits at the end of December.  A big part of revising the plans for the walls involved revising the excavation plan as well.  In fact, a big part of the revision was simplifying the excavation so that we would not have to remove more than 100 truckloads of dirt from the site.  The new wall system will use the dirt as backfill.  That made everyone happy initially — especially the city who wanted to restrict the number of truckloads we could remove to something like 4 loads PER DAY.

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The plan was to do the back wall first.  That wall will use most of the dirt from the driveway and garage excavations.  Then the driveway space would be clear for the work to shore up the garage side hill and to begin to build that wall.  We can’t pour the footers for the new garage building until the garage side wall is built.  Then Mother Nature happened. After 70+ degree temperatures on Christmas eve, the weather finally got cold.  And now folks, it’s official.  According to the Capital Weather Gang, “D.C. is the only city east of the Rockies having a ‘severe’ winter.”  Apparently we can’t catch a break.  Wall building halted in the back after one week due to  cold and moisture and the focus moved to the garage side. Unfortunately there are MASSIVE piles of dirt around the site that we need to save in order to build the back walls when the weather warms up.  That’s making an already tight construction site even tighter.  It’s a logistics challenge for Dave.  Thankfully he has lots of experience to fall back on.

I wish I could have seen it but my annual Mexican birthday sojourn beckoned.  Machines rolled in when I was away and installed 27 soil screws into the side of the hill by the future garage.  These will stabilize the hill and allow the wall to be built.

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Then Snowzilla happened.  So ALL exterior wall building stopped.

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No matter, the action moved indoors.  Insulation and drywall went in to the newly remodeled spaces over the last few weeks.  On Monday Dave, Michael Cook and I spent 2 1/2 hours walking around the house discussing the wall, door and window trims and transitions.  It’s actually starting to look something like a house again!

Today we got the news that the wall builders are coming back this week.  After a bit of a scramble to get hauling and parking permits in order, we should be ready.  Machines will be rolling again tomorrow.

 

 

 

 

 

The Architect – Charles M. Goodman

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Charles M. Goodman

Bill and I went to the preview this evening for the upcoming auction at The Potomack Company in Old Town.  A friend let us know that the Dorothy S. Goodman Trust was offering 60 lots of furniture, artwork and household items that were in their former home on Quaker Lane.    Mrs. Goodman passed away in February.

I’ve talked a lot about the history of the people who lived in our house before us.  That’s important for me to understand so that I can see what was important to them and how we fit into the history.  The original architect Charles M. Goodman is an important figure in this history as well.  Goodman is considered one of the most renowned 20th century architects particularly in the DC area.

Born in New York City, Goodman grew up in Chicago and received his architectural degree from the Armour Institute of Technology (later the Illinois Institute of Technology).  Early in his career as a government architect, he is credited with helping to edge federal buildings toward a modernist approach.  Among his most famous government projects was the Federal Building in New Orleans, the U.S. Government Group at the 1939 World’s Fair and was the chief designer for Washington National Airport ( Reagan International Airport).   During World War II  Goodman served as the Principal Architect for the Army Air Fore Air Transport Command.  While Goodman designed a fair number of custom homes in the Washington area  (including our  house), he was best known for his  suburban builder homes working with developers on projects such as Hollin Hills in Alexandria, Lake Barcroft Estates, Hammond Wood and Rock Creek Woods among others.  Goodman distinguished himself with the innovative use of modular construction techniques, solar lighting, and stock components in order to meet the housing needs of post-war America.  He also strived to retain the beauty of the natural landscape in the design of the communities he helped to create.  The streets and the houses themselves were designed to complement the natural topography.

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This Hollin Hills home recently sold for almost $1 million. Quite a step up from the $6000 – $10,000 original list prices.

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A typical Hollin HIlls home

It’s interesting that Goodman never attained the acclaim of many of his west coast contemporaries (A. Quincy Jones of the Eichler Company or Cliff May)  who are lauded for creating a revolution in housing design.  Some blame the conservatism of the culture in the Washington DC area.  Goodman was also constrained by trying to meet standards of housing for Veterans Administration programs since many of his builder house potential buyers would look to those programs to finance their new homes.  These were definitely not your grandfather’s (or father’s) neocolonial houses.  But he should be recognized for trying to create homes that provided interesting and beautiful design at affordable prices for the countless numbers of people who flocked to the DC area post-World War II  (like my parents did)  to take advantage of the jobs boom.

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A more modest Hammond Woods home.

Historian Elizabeth Jo Lampl, author of the application for placing Montgomery County’s Goodman Communities on the National Register of Historic Places said it best:

“At least one of Goodman’s peers, Arthur Keyes, considered him the most “elegant” of Washington’s builder architects. This label was given because Goodman managed to incorporate the largest amount of glass into his wall. Despite the urbanity of his architectural expression, Goodman still produced builder houses that felt – and still feel – humble, vernacular, and suited to people of artistic inclination. Goodman’s houses were utterly distinctive from those around them and varied from one another. They were joined with the land in a way that was unprecedented for the market they were serving. Contrasting greatly with the image of suburbia as represented by Levittown, New York, Goodman succeeded in creating affordable housing that was not uniform, on land that was not flat, and for people who could not be stereotyped. ”

I really love the detail about Goodman, his life and his work in this application and I’ll be mining it for more Goodman ephemera in future posts.

Here are some of the items on auction this weekend:

George Nelson Clock, Provenance: The Dorothy S. Goodman Trust

This Nelson clock reminds me of the knock off version that hung in my parents “rec room” when I was growing up. Have no idea what happened to that.

Eames Lounge Chair, Provenance: The Dorothy S. Goodman Trust

I love this chair. It has no ottoman which might prove problematic but it’s in really good shape.

Harry Bertoia Diamond Lounge Chairs, Provenance: The Dorothy S. Goodman Trust

I will be bidding on these Bertoia chairs. I can envision them arranged around the pool in the back.

I’d love to have something of Goodman’s for the house since I’m collecting items that represent or belonged to the former residents.  The auction has been well-publicized and there were also two talks about Goodman sponsored by The Potomack Company the weekend before Thanksgiving THAT I MISSED!  So bummed about that.  According to the curator at the auction house, they even mentioned the Sevareid House!  It looks like we won’t be able to get the original house plans from The Library of Congress after all.  Their directory of Goodman papers does not include the plans for our house.  The good news is that I did get PDF copies of the house layout that I will be adding to the blog in my next design themed post.

Tomorrow we go to settlement on our new house!  We’ve been looking at this house on and off for over a year …I can’t believe it’s really ours.  There were so many caution signs last year — the price, the crazy appraiser (“Run, do not walk, away from this house!”), my car being dropped off of the driveway by a tow truck.  It just didn’t seem like it was meant to be.  And then, a year later everything fell into place so easily.  But as my brother (otherwise known as my builder) has said “Nothing about renovating this house will be easy”.   It will be a labor of love.

It’s a beautiful Frank Lloyd Wright inspired modernist masterpiece.  It’s paneled within an inch of it’s life.   It sits on top of Seminary Ridge (with a super steep driveway)  on 1.5 acres in the city of Alexandria, VA.  We will be only the third family to own it.  Really, I can’t wait to get started.

A historic photo prior to a later Goodman addition.

There are already so many stories to discover about the house.  The house was built between 1941 – 1944 by Charles Goodman, a relatively well known architect in the Washington, DC area.  Goodman was a government architect who worked on the original terminal of the old National Airport but is best known for his work on DC area mid-century developments such as Hollin Hills in Alexandria and Hammond Wood in Maryland.   He designed several custom homes including the Seminary Ridge home which was built for the journalist Eric Sevareid.    Sevareid is best known for his work as a broadcast journalist and was one of the original Murrow Boys working with Edward R. Murrow during World War II.

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One of the “Murrow Boys”, Sevareid was the first to broadcast the fall of Paris in WWII

Here is an interesting excerpt mentioning the Sevareid House from U.S. Department of the Interior documents for the National Register of HIstoric Places in Montgomery County Maryland:

“The Sevareid House of 1941, being designed for a prominent newsman, allowed Goodman a forum for exhibiting the latest in his Modern ideals. (Figure 2) The house, with extremely wide overhangs and long banks of windows, was yet  another example of Goodman’s interest in a “passive solar house.” Goodman strongly believed in using the latest in heating and cooling technologies when budget permitted; he thought that a closed Colonial house was an absurdly illogical model for 20th-century living. In the Sevareid House, Goodman also highlighted his talent at putting as much living space as possible on one floor in a house that was banked on a steep hillside. He provided a brick base – inclusive of a full height, glazed ground level – that supported a platformed story above it and an open floor plan. Goodman left as much space as possible open to the outdoors, via decks, patios, and operable windows, some on a grand scale.38 As he would do one year later in Hollin Hills, his first builder project, Goodman had all the Sevareid House woodwork milled on site with a portable saw. This simple step significantly reduced the cost of the project.”

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Facing downhill towards North Pegram on Seminary Ridge

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A wall of windows brings the outside into this room. We’ll be keeping some of the owners furniture which was designed specifically for this room.
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The granite is beautiful and the skylight romantic but this kitchen is bound for renovation.

The house was sold in 1958 to a local Alexandria obstetrician who was a fan of Goodman and Modernist architecture.  But the interesting stories don’t end there!  Bear with me while I try to figure out how the blogging publishing platform works!